What if you were asked to tell someone everything about you… in five words or less.

Could you do it? What would those five words be and what would they look like?

Several years ago a good friend who has been a keen observer and supporter of my art asked if I would create a painting for him. This request was new to me since up until then I had exclusively relied on sort of a sweep of the butterfly net across the subconscious with a touch of external observation to find subject matter for my eccentric still-life paintings.

To be clear, my friend wasn’t looking for a metaphorical self portrait, but there was certainly a personal aspect to it. So the question was really ‘what should the painting be about’.

I considered the following approaches to this interesting challenge:

  • 1. Ask for a laundry list of creatures and elements to be in the painting.

    Nah, this kind of felt contrived. While I’m sure there is a formula to good story telling, that secret’s safe from me. I feared that I might fall into a trap of using objects and symbols that in the end would be awkward and obvious. It might look cool but it wouldn’t feel very authentic. I don’t think novelists set out to write a lousy story, but somewhere along the line, things don’t click and ‘thud’ happens …and frankly, that approach wouldn’t be very fun anyway.

  • 2. Just have a long conversation and see where it goes.

    This is good but I might get lost in the forest.. words and meanings can get messy in a blink, especially to one (meaning me), that has a tendency to:

    1. overthink things
    2. arrive at ridiculous conclusions
    3. just completely miss a very simple and practical point

  • 3. How about Simplify the question:

    Tell me everything you’d like this painting to be… in 5 words or less.
    POW! That’s it!
    This is the instruction I emailed to him. And you know what? the response was crickets, nada.

It was easily six months later, when an e-mail arrived from him that contained one word. Out of respect for the creative process, I won’t divulge what the word was but that single word is what he wanted the painting to be about.

Long story short, it was everything I needed. The word triggered an avalanche of imagery and the elements came together in pencil drawings that he approved and ultimately to the finished painting seen below. We decided that ‘Untitled’ was the perfect name for it.

Fast forward… I stopped by his house about a year or so ago to deliver another painting to him. Once we hung his new painting in just the right place, I took a moment and walked into another room that was home to his commissioned piece. It was an intense experience, just short of misty-eyed, but definitely the Michael Landon level of ‘super-proud’ he would bust out at the end of an episode. The piece was really good, the story was authentic, the commission experiment worked beautifully.

UNTITLED

Two dogs play with a white parrot indoors.

Since then…

…I’ve had the privilege to create commissioned paintings for several others. Each process begins with the same request; ‘tell me everything you want the painting to be about… in five words or less’, yet the outcomes are all dramatically different, always interesting and rewarding. I greatly appreciate the trust that people put in me to honor their input and tell a good story.

I still spend most of my time working on batches of paintings that will form a series. I like the idea of creating 10-15 paintings that compose a collection, like a music album and each of the paintings is a track. The series I’m working on now is call ‘Lost in Translation’, should be ready to show sometime between November 2021 and January 2022.

Completed commissions

TITLE:
AN ELEMENTAL CONSPIRACY TO HOLD BACK THE DAWN
SIZE: 19ft x 11ft

TITLE:
LAGRANGE POINT
SIZE: 3ft x 4ft

TITLE:
UNDER THE CANOPY OF MOONLIGHT, ECHO AND HIJINX
SIZE: 3ft x 5ft

A bear near a red water pump in a forest.

TITLE:
ALCHEMY OF THE INTENTIONAL, THE ACCIDENTAL AND THE SPONTANEOUS
SIZE: 6ft x 8ft

Ethereal woman surrounded by glowing orbs and mystical elements.

TITLE:
EMISSARY
SIZE: 4ft x 2ft

A fox perched on a weathered wooden fence with a moody sky.

TITLE:
UNTITLED

SIZE: 32in x 42in

Elegant vintage staircase with gramophones and antique decor.

TITLE:
INSTINCT, ILLUMINATION AND REFUGE ALONG THE TIRELESS JOURNEY

SIZE: 3ft x 5ft

A giant cat with glowing eyes perched on a green cabinet in a mysterious room.

TITLE:
INFLUENCE AND ILLUMINATION OF
THE LONG MOMENT AND THE SHORT YEAR

SIZE: 5ft x 2.5ft

A vintage still life with a barn owl and antique objects on a red cloth.

What if you were asked to tell someone everything about you… in five words or less.

Could you do it? What would those five words be and what would they look like?

Several years ago a good friend who has been a keen observer and supporter of my art asked if I would create a painting for him. This request was new to me since up until then I had exclusively relied on sort of a sweep of the butterfly net across the subconscious with a touch of external observation to find subject matter for my eccentric still-life paintings.

To be clear, my friend wasn’t looking for a metaphorical self portrait, but there was certainly a personal aspect to it. So the question was really ‘what should the painting be about’.

I considered the following approaches to this interesting challenge:

  • 1. Ask for a laundry list of creatures and elements to be in the painting.

    Nah, this kind of felt contrived. While I’m sure there is a formula to good story telling, that secret’s safe from me. I feared that I might fall into a trap of using objects and symbols that in the end would be awkward and obvious. It might look cool but it wouldn’t feel very authentic. I don’t think novelists set out to write a lousy story, but somewhere along the line, things don’t click and ‘thud’ happens …and frankly, that approach wouldn’t be very fun anyway.

  • 2. Just have a long conversation and see where it goes.

    This is good but I might get lost in the forest.. words and meanings can get messy in a blink, especially to one (meaning me), that has a tendency to:

    1. overthink things
    2. arrive at ridiculous conclusions
    3. just completely miss a very simple and practical point

  • 3. How about Simplify the question:

    Tell me everything you’d like this painting to be… in 5 words or less.
    POW! That’s it!
    This is the instruction I emailed to him. And you know what? the response was crickets, nada.

It was easily six months later, when an e-mail arrived from him that contained one word. Out of respect for the creative process, I won’t divulge what the word was but that single word is what he wanted the painting to be about.

Long story short, it was everything I needed. The word triggered an avalanche of imagery and the elements came together in pencil drawings that he approved and ultimately to the finished painting seen below. We decided that ‘Untitled’ was the perfect name for it.

Fast forward… I stopped by his house about a year or so ago to deliver another painting to him. Once we hung his new painting in just the right place, I took a moment and walked into another room that was home to his commissioned piece. It was an intense experience, just short of misty-eyed, but definitely the Michael Landon level of ‘super-proud’ he would bust out at the end of an episode. The piece was really good, the story was authentic, the commission experiment worked beautifully.

UNTITLED

Two dogs play with a white parrot indoors.

Since then…

…I’ve had the privilege to create commissioned paintings for several others. Each process begins with the same request; ‘tell me everything you want the painting to be about… in five words or less’, yet the outcomes are all dramatically different, always interesting and rewarding. I greatly appreciate the trust that people put in me to honor their input and tell a good story.

I still spend most of my time working on batches of paintings that will form a series. I like the idea of creating 10-15 paintings that compose a collection, like a music album and each of the paintings is a track. The series I’m working on now is call ‘Lost in Translation’, should be ready to show sometime between November 2021 and January 2022.

Completed commissions

TITLE:
AN ELEMENTAL CONSPIRACY TO HOLD BACK THE DAWN
SIZE: 19ft x 11ft

TITLE:
LAGRANGE POINT
SIZE: 3ft x 4ft

TITLE:
UNDER THE CANOPY OF MOONLIGHT, ECHO AND HIJINX
SIZE: 3ft x 5ft

A bear near a red water pump in a forest.

TITLE:
ALCHEMY OF THE INTENTIONAL, THE ACCIDENTAL AND THE SPONTANEOUS
SIZE: 6ft x 8ft

Ethereal woman surrounded by glowing orbs and mystical elements.

TITLE:
EMISSARY
SIZE: 4ft x 2ft

A fox perched on a weathered wooden fence with a moody sky.

TITLE:
UNTITLED

SIZE: 32in x 42in

Elegant vintage staircase with gramophones and antique decor.

TITLE:
INSTINCT, ILLUMINATION AND REFUGE ALONG THE TIRELESS JOURNEY

SIZE: 3ft x 5ft

A giant cat with glowing eyes perched on a green cabinet in a mysterious room.

TITLE:
INFLUENCE AND ILLUMINATION OF
THE LONG MOMENT AND THE SHORT YEAR

SIZE: 5ft x 2.5ft

A vintage still life with a barn owl and antique objects on a red cloth.